By the second hour, the efflux from the city was a stream unbroken and innumerable.

Exactly as the gnomon of the official dial up in the citadel pointed the second hour half gone, the legion, in full panoply, and with all its standards on exhibit, descended from Mount Sulpius; and when the rear of the last cohort disappeared in the bridge, Antioch was literally abandoned--not that the Circus could hold the multitude, but that the multitude was gone out to it, nevertheless.

A great concourse on the river shore witnessed the consul come over from the island in a barge of state. As the great man landed, and was received by the legion, the martial show for one brief moment transcended the attraction of the Circus.

At the third hour, the audience, if such it may be termed, was assembled; at last, a flourish of trumpets called for silence, and instantly the gaze of over a hundred thousand persons was directed towards a pile forming the eastern section of the building.

There was a basement first, broken in the middle by a broad arched passage, called the Porta Pompae, over which, on an elevated tribunal magnificently decorated with insignia and legionary standards, the consul sat in the place of honor. On both sides of the passage the basement was divided into stalls termed carceres, each protected in front by massive gates swung to statuesque pilasters. Over the stalls next was a cornice crowned by a low balustrade; back of which the seats arose in theatre arrangement, all occupied by a throng of dignitaries superbly attired. The pile extended the width of the Circus, and was flanked on both sides by towers which, besides helping the architects give grace to their work, served the velaria, or purple awnings, stretched between them so as to throw the whole quarter in a shade that became exceedingly grateful as the day advanced.