"They balanced each other finely," said Ludwig. "He was kind and she was cross. But, Peter, before I forget it, wasn't that picture of Saint Hubert and the horse painted by Wouwerman? You remember, Father showed us an engraving from it last night."

"Yes, indeed. There is a story connected with that picture."

"Tell us!" cried two or three, drawing closer to Peter as they skated on.

"Wouwerman," began the captain oratorically, "was born in 1620, just four years before Berghem. He was a master of his art and especially excelled in painting horses. Strange as it may seem, people were so long finding out his merits that, even after he had arrived at the height of his excellence, he was obliged to sell his pictures for very paltry prices. The poor artist became completely discouraged, and, worst of all, was over head and ears in debt. ne day he was talking over his troubles with his father-confessor, who was one of the few who recognized his genius. The priest determined to assist him and accordingly lent him six hundred guilders, advising him at the same time to demand a better price for his pictures. Wouwerman did so, and in the meantime paid his debts. Matters brightened with him at once. Everybody appreciated the great artist who painted such costly pictures. He grew rich. The six hundred guilders were returned, and in gratitude Wouwerman sent also a work which he had painted, representing his benefactor as Saint Hubert kneeling before his horse--the very picture, Ludwig, of which we were speaking last night."