Mr. Elisha Gray, of Chicago, also devised a tone telegraph of this kind about the same time as Herr La Cour. In this apparatus a vibrating steel tongue interrupted the current, which at the other end of the line passed through the electro-magnet and vibrated a band or tongue of iron near its poles. Gray's 'harmonic telegraph,' with the vibrating tongues or reeds, was afterwards introduced on the lines of the Western Union Telegraph Company in America. As more than one set of vibrations--that is to say, more than one note--can be sent over the same wire simultaneously, it is utilised as a 'multiplex' or many-ply telegraph, conveying several messages through the same wire at once; and these can either be interpreted by the sound, or the marks drawn on a ribbon of travelling paper by a Morse recorder.

Gray also invented a 'physiological receiver,' which has a curious history. Early in 1874 his nephew was playing with a small induction coil, and, having connected one end of the secondary circuit to the zinc lining of a bath, which was dry, he was holding the other end in his left hand. While he rubbed the zinc with his right hand Gray noticed that a sound proceeded from it, which had the pitch and quality of the note emitted by the vibrating contact or electrotome of the coil. 'I immediately took the electrode in my hand,' he writes, 'and, repeating the operation, found to my astonishment that by rubbing hard and rapidly I could make a much louder sound than the electrotome. I then changed the pitch of the vibration, and found that the pitch of the sound under my hand was also changed, agreeing with that of the vibration.' Gray lost no time in applying this chance discovery by designing the physiological receiver, which consists of a sounding-box having a zinc face and mounted on an axle, so that it can be revolved by a handle. One wire of the circuit is connected to the revolving zinc, and the other wire is connected to the finger which rubs on the zinc. The sounds are quite distinct, and would seem to be produced by a microphonic action between the skin and the metal.