How can I, tho' her face and form are painted on my memory, tell you what fair, pert Miss Dorothy was at that time'! Ay, I know what you would say: that Sir Joshua's portrait hangs above, executed but the year after, and hung at the second exhibition of the Royal Academy. As I look upon it now, I say that no whit of its colour is overcharged. And there is likewise Mr. Peale's portrait, done much later. I answer that these great masters have accomplished what poor, human art can do. But Nature hath given us a better picture. "Come hither, Bess! Yes, truly, you have Dolly's hair, with the very gloss upon it. But fashions have changed, my child, and that is not as Dolly wore it." Whereupon Bess goes to the portrait, and presently comes back to give me a start. And then we go hand in hand up the stairs of Calvert House even to the garret, where an old cedar chest is laid away under the eaves. Bess, the minx, well knows it, and takes out a prim little gown with the white fading yellow, and white silk mits without fingers, and white stockings with clocks, and a gauze cap, with wings and streamers, that sits saucily on the black locks; and the lawn-embroidered apron; and such dainty, high-heeled slippers with the pearls still a-glisten upon the buckles. Away she flies to put them on. And then my heart gives a leap to see my Dorothy back again,--back again as she was that June afternoon we went together to my last birthday party, her girlish arms bare to the elbow, and the lace about her slender throat. Yes, Bess hath the very tilt of her chin, the regal grace of that slim figure, and the deep blue eyes.