Essentially Religious. He is an essentially religious being, and has a large number of ritualistic ceremonies. He has many dances for various purposes, the most exciting of which is locally known as the HoshKon. It is a healing ceremony. Dr. Matthews calls it the Mountain Chant. It requires many days for its complete performance, and one of its final ceremonies consists of a wild fire dance which is thrilling in the extreme.

Superior Horsemanship. But perhaps it is in his every-day horsemanship that the Navaho shows himself the superior man. Oftentimes he introduces feats of skill on a horse into his ceremonies. A few years ago at Tuba City, I saw a large band of Navahos unite with the Hopis in their dances and ceremonies of harvest thanksgiving. The Hopi director of the dances was Mootchka, whose costume was as astoundingly frightful as he could possibly make it. His naked body was smeared over with whitewash, some of which adhered and some of which did not. On his head was a mass of rudely woven black wool, crowned with the duplex pads of some wild flower. Around the waist was a similar black wool mat, fastened on with a Navaho belt of silver disks. When all was ready the dancers began. The trader's store-yard was the plaza, and the roofs of all the buildings on the three sides of the square were covered with Navaho spectators. Hour after hour they continued. Some of the dancers were decorated, others were in ordinary costume, but all danced and sang with fervor.